The Baltic Way
COMPOSER:
Jan de Haan
PUBLISHER:
De Haske Publications
PRODUCT TYPE:
Score
INSTRUMENT GROUP:
Concert Band
In 1989, the demonstration named the Baltic Way – also known as the Baltic Chain— was held in the Baltic states of Estonia, Latvia and Lithuania by its citizens in a call for independence from the Soviet Union. On 23rd August 1989, some two million participants formed a human chain, hand-in-hand
Specifications
Composer | Jan de Haan |
Publisher | De Haske Publications |
Instrumentation | Concert Band/Harmonie |
Text language | Dutch;English;French;German |
Moeilijkheidsgraad orkest | Grade 4 |
Product Type | Score |
Instrument Group | Concert Band |
Year of Publication | 2022 |
Genre | Concert Piece |
ISMN | 9790035249307 |
Series | Concert and Contest Collection CBHA |
No. Pages | 48 |
No. | DHP 1226391-140 |
Release Date | 1/24/2022 |
Tiijdsduur | 00:10:30 |
Description
In 1989, the demonstration named the Baltic Way – also known as the Baltic Chain— was held in the Baltic states of Estonia, Latvia and Lithuania by its citizens in a call for independence from the Soviet Union. On 23rd August 1989, some two million participants formed a human chain, hand-in-hand all the way from the Estonian capital of Tallinn its Latvian counterpart, Riga, through to the Lithuanian capital of Vilnius - six hundred kilometres long. It became the longest human chain ever created and turned out to be the final push needed for much sought-after independence. This historic event became the source of inspiration for this composition. The introduction of the first movement, ‘Struggle for Independence’, is based on a nocturne for piano by the renowned Lithuanian composer and painter Mikalojus Konstantinas Čiurlionis (1875-1911), thematic material from which has been incorporated throughout the whole composition. The melancholic beginning is followed by a powerful theme which reflects the resolve of the Baltic people. The sudden aggressive, dissonant chords and a dominant and—in rhythmic terms—contrary bass drum announce that the resistance is not going smoothly. Just for a moment, we hear the anthem of the Soviet Union in the lower brass, but this is relentlessly pushed to the background by the rest of the band playing the Lithuanian national anthem, ‘Tautiška giesmė’ (Lithuania, our homeland). The second movement, ‘Decades of Suffering’, echoes life under the Soviet Union's thumb. In the pursuit of independence, a peaceful protest is planned in which a human chain is formed across the Baltic states of Estonia, Latvia and Lithuania. This ‘Chain of Freedom’ is depicted in the final movement of the work.
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