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251 product(s) found in Brass Band - Grade - 6
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 Item No.TitleUnit price
DHP 1165688-330 Fraternity
Thierry Deleruyelle | De Haske Publications | Brass Band | Study Score
€ 13,00
Music of the Spheres The piece reflects the composer's fascination with the origins of the universe and deep space in general. The title comes from a theory, formulated by Pythagoras, that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. (‘Harmonia’ in Ancient Greek, which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the six known planets from the sun and that the planets each produced a musical note which combined to weave a continuous heavenly melody (which, unfortunately, we humans cannot hear). In this work, these six notes form the basis of the sections MUSIC OF THE SPHERES and HARMONIA. The pieces opens with a horn solo called t = 0, a name given by some scientists to the moment of the Big Bang when time and space were created, and this is followed by a depiction of the BIG BANG itself, as the entire universe bursts out from a single point. A slower section follows called THE LONELY PLANET which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life, and the constant search for other civilisations elsewhere in the universe. ASTEROIDS AND SHOOTING STARS depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet, and the piece ends with THE UNKNOWN, leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction.
AMP 028-130 Music of the Spheres
Philip Sparke | Anglo Music Press | Brass Band | Score Only
€ 58,00
AMP 213-330 Music for Battle Creek
Philip Sparke | Anglo Music Press | Brass Band | Study Score
€ 17,00
Abaddon Abaddon was commissioned by the NLBB (Noord-Limburgse Brassband - North Limburg Brass Band) from Belgium. Abaddon is the demon reigning over the underworld. In the New Testament - in the Book of Revelation by John (9:11) - he is called the angel of the bottomless pit.
The work Abaddon lives up to its name. Technically and physically, it holds an enormous challenge for every band in the champions division. The composition has a traditional form structure (fast-slow-fast), and it consists of ornamentations around the letters IVAN, after Ivan Meylemans, the conductor who since 2001 has obtained great successes with the NLBB, and who in this case has also been essential in taming the demon in Abaddon.
2002-14-130 S Abaddon
The Dark Angel | Kevin Houben | Scherzando | Brass Band | Score Only
€ 24,00
Music of the Spheres Music of the Spheres was commissioned by the Yorkshire Building Society Band and first performed by them at the European Brass Band Championships in Glasgow, May 2004. The piece reflects the composers fascination with the origins of the universe and deep space in general. The title comes from a theory, formulated by Pythagoras, that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. (‘Harmonia’ in Ancient Greek, which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the six known planets from the sun and thatthe planets each produced a musical note which combined to weave a continuous heavenly melody (which, unfortunately, we humans cannot hear). In this work, these six notes form the basis of the sections Music of the Spheres and Harmonia. The pieces opens with a horn solo called t = 0, a name given by some scientists to the moment of the Big Bang when time and space were created, and this is followed by a depiction of the Big Bang itself, as the entire universe bursts out from a single point. A slower section follows called The Lonely Planet which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life, and the constant search for other civilizations elsewhere in the universe. Asteroids and Shooting Stars depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet, and the piece ends with The Unknown, leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction.
AMP 028-030 Music of the Spheres
Philip Sparke | Anglo Music Press | Brass Band | Set (Score & Parts)
€ 159,99
Audivi Media Nocte Audivi Media Nocte is based on the eponymous motet by Thomas Tallis from the 16th Century - a work that holds great fascination for Oliver Waespi. During the process of composition, various chord sequences and rhythmical structures emerged that led the work in the direction of a musical drama, with elements of a concerto grosso and solos for different soloists. An innovative, virtuoso and gripping work that can also take you far in competitions!
BMP11013515 Audivi Media Nocte
Oliver Waespi | Beriato Music Publishing | Brass Band | Set (Score & Parts)
€ 154,99
EKSTASE EKSTASE is a piece about a mentally ill patient who is kept completely shut off from the outside world. His condition is worsening, and due to his medication the border between the real world and his hallucinations becomes increasingly vague. One day the patient discovers an old piano and begins to play Mozart which brings both himself and other patients back to life. A very innovative and virtuoso new work from Thomas Doss.
2067-16-030 M EKSTASE
Rendez-vous with W.A. Mozart | Thomas Doss | Mitropa Music | Brass Band | Set (Score & Parts)
€ 149,99
Fraternity This piece by Thierry Deleruyelle is based on one of the most significant events in the history of coal mining; the catastrophe at Courrières, Northern France. It took place on 10th March 1906 and is considered the most momentous mining accident in Europe and the second most significant in the world. This work is both emotional and spectacular and tells in 7 contrasting sections the catastrophe that occurred. Fraternity was the test piece in the “Champion” category at the European Brass Band Competition 2016 in Lille, thus commemorating 110 years since the disaster at Courrières.
DHP 1165688-030 Fraternity
Thierry Deleruyelle | De Haske Publications | Brass Band | Set (Score & Parts)
€ 149,99
Hypercube Hypercube is a musical narrative partly inspired by the architecture of the Grande Arche de la Défense in Paris whose shape has been compared to a hypercube. With this landmark building as a starting point, the piece explores the poetry and reality of urban landscapes. In the course of the piece, these contrasting elements are being torn into a dramatic and virtuosic development in extended sections named "Le Vertige" (Vertigo). The Clouds theme returns later in a series of lyrical solos. In the final part of the piece, both the Vertigo and the Hypercube themes become the background for an ongoing acceleration, which conveys the impression of some sort of musical Penrose stairs. Hypercube was commissioned by the Paris Brass Band and the association ADIAM 94 in 2015.
BMP16017654 Hypercube
Oliver Waespi | Beriato Music Publishing | Brass Band | Score Only
€ 40,00
Raveling, Unraveling WINNING PERFORMANCE EBBC LILLE 2016 Raveling, Unraveling – In Search of ‘La Valse’ was written for the Cory Band as their own-choice test piece for the 2016 European Brass Band Championships in Lille. The piece found its genesis in Sparke’s The Unknown Journey (2014) for concert band, and the use of Ravel’s La Valse as a structural undercurrent to the original piece is an act of reverence. Sparke’s aim was to produce a work that is organic rather than episodic in nature. The composer’s view is that little in music does this better than La Valse and for this reason he uses various sections of this masterpiece, both manipulated and quoted verbatim (including much of its stunningclosing passages) to provide the overall geography of his new work. As the music progresses, more of the Ravel appears, surfacing completely as the piece reaches its climax - a gesture of homage to the French master.
AMP 448-130 Raveling, Unraveling
In search of 'La Valse' | Philip Sparke | Anglo Music Press | Brass Band | Score Only
€ 39,00
As if a Voice Were in Them “As if a voice were in them…” runs William Wordsworth’s poem about the High Alps. Nature is presented in this poem as an all-powerful and nameless force but also as a creative energy and a mirror on man’s soul. It was commissioned by the Swiss Brass Band Association for the 2014 Montreux Swiss Championships. A stunning winning piece for your contests!
BMP14017627 As if a Voice Were in Them
Oliver Waespi | Beriato Music Publishing | Brass Band | Score Only
€ 38,50
Audivi Media Nocte Audivi Media Nocte is based on the eponymous motet by Thomas Tallis from the 16th Century - a work that holds great fascination for Oliver Waespi. During the process of composition, various chord sequences and rhythmical structures emerged that led the work in the direction of a musical drama, with elements of a concerto grosso and solos for different soloists. An innovative, virtuoso and gripping work that can also take you far in competitions!
BMP11017515 Audivi Media Nocte
Oliver Waespi | Beriato Music Publishing | Brass Band | Score Only
€ 52,00
Dances and Alleluias Dances and Alleluias was commissioned by the British Federation of Brass Bands for the inaugural English National Brass Band Championships, held in the Lyric Theatre at The Lowry, Salford Quays, on July 1st 2006. In this fantastic work the composer mixes wonderful slow music, vocal in nature and ecstatic in mood, along with faster dances to create a challenging piece, which will bring out the best in any band.
AMP 171-030 Dances and Alleluias
Philip Sparke | Anglo Music Press | Brass Band | Set (Score & Parts)
€ 119,99
Trance In this piece, the composer depicts a mother who hears her unborn baby cry for her. She is thrown into doubt as to whether she will keep the child, and passes this feeling onto the baby. Underlying this successful work is the Bach chorale Wie schön leuchtet der Morgenstern and has already proven itself as a winning piece in several renowned contests!
2043-15-130 M Trance
Thomas Doss | Mitropa Music | Brass Band | Score Only
€ 38,50
Raveling, Unraveling WINNING PERFORMANCE EBBC LILLE 2016 Raveling, Unraveling – In Search of ‘La Valse’ was written for the Cory Band as their own-choice test piece for the 2016 European Brass Band Championships in Lille. The piece found its genesis in Sparke’s The Unknown Journey (2014) for concert band, and the use of Ravel’s La Valse as a structural undercurrent to the original piece is an act of reverence. Sparke’s aim was to produce a work that is organic rather than episodic in nature. The composer’s view is that little in music does this better than La Valse and for this reason he uses various sections of this masterpiece, both manipulated and quoted verbatim (including much of its stunningclosing passages) to provide the overall geography of his new work. As the music progresses, more of the Ravel appears, surfacing completely as the piece reaches its climax - a gesture of homage to the French master.
AMP 448-030 Raveling, Unraveling
In search of 'La Valse' | Philip Sparke | Anglo Music Press | Brass Band | Set (Score & Parts)
€ 154,99
Fraternity This piece by Thierry Deleruyelle is based on one of the most significant events in the history of coal mining; the catastrophe at Courrières, Northern France. It took place on 10th March 1906 and is considered the most momentous mining accident in Europe and the second most significant in the world. This work is both emotional and spectacular and tells in 7 contrasting sections the catastrophe that occurred. Fraternity was the test piece in the “Champion” category at the European Brass Band Competition 2016 in Lille, thus commemorating 110 years since the disaster at Courrières.
DHP 1165688-130 Fraternity
Thierry Deleruyelle | De Haske Publications | Brass Band | Score Only
€ 37,50
EKSTASE EKSTASE is a piece about a mentally ill patient who is kept completely shut off from the outside world. His condition is worsening, and due to his medication the border between the real world and his hallucinations becomes increasingly vague. One day the patient discovers an old piano and begins to play Mozart which brings both himself and other patients back to life. A very innovative and virtuoso new work from Thomas Doss.
2067-16-130 M EKSTASE
Rendez-vous with W.A. Mozart | Thomas Doss | Mitropa Music | Brass Band | Score Only
€ 38,50
Hypercube Hypercube is a musical narrative partly inspired by the architecture of the Grande Arche de la Défense in Paris whose shape has been compared to a hypercube. With this landmark building as a starting point, the piece explores the poetry and reality of urban landscapes. In the course of the piece, these contrasting elements are being torn into a dramatic and virtuosic development in extended sections named "Le Vertige" (Vertigo). The Clouds theme returns later in a series of lyrical solos. In the final part of the piece, both the Vertigo and the Hypercube themes become the background for an ongoing acceleration, which conveys the impression of some sort of musical Penrose stairs. Hypercube was commissioned by the Paris Brass Band and the association ADIAM 94 in 2015.
BMP16013654 Hypercube
Oliver Waespi | Beriato Music Publishing | Brass Band | Set (Score & Parts)
€ 154,99
Vom Himmel hoch, O Englein kommt The German Christmas song Von Himmel hoch, O Englein kommt is one of the oldest known German carols, with the earliest versions, also known as Susani, going back to the 14th century. This exceptional arrangement by Jan de Haan works extremely well for brass band and will make an ideal work for any Christmas concert.
DHP 0971016-216 Vom Himmel hoch, O Englein kommt
Traditional | Jan de Haan | De Haske Publications | Concert Band/Harmonie/Fanfare/Brass Band | Score Only
€ 14,00
Spiriti A Bach chorale stands at the centre of this work (Für deinen Thron tret´ ich hiermit).Anton Bruckner was one of Johann Sebastian Bach’s great admirers. His work is full of the spirit of that musical genius. For Thomas Doss, it was Bruckner’s spirit that always seemed to be with him while working on Spiriti. Bruckner’s spirit is captured in this composition by a quote from the chorale of his Fifth Symphony at the end of the piece.The introduction, written in the style of a funeral march, already displays the first fragments of the chorale. Like splinters they are strewn throughout the first Allegro, combining and recombining in turbulent, powerful tutti passages. As the music becomes more rambunctious, the Bach-like fragments begin to swirl around each other, only to be scattered once more.The middle-section is of a more pensive nature. The Religioso character gives the audience time to reflect. The music is meditative and the quarter-note (or crotchet) elements mimic a soul that is yearning and crying out.The third part of the piece finally leads, by way of minimalist elements and the fragments mentioned earlier, to a magnificent presentation of the Bach chorale. As the church bells ring out, one can almost hear the great masters presiding at the organ.
1705-10-330 M Spiriti
Thomas Doss | Mitropa Music | Brass Band | Study Score
€ 11,50
REM-scapes Sweet echoes of Beethoven’s Moonlight Sonata in the introduction bring a gentle slumber. Breathing is calm and sleep holds the promise of rest and relaxation.
With the onset of the REM sleep phase, however, in which most dreams take place and where the day’s events are worked through, we hear other sounds played.
With distorted sounds, reminiscent of an old gramophone, the music pulls the listener inevitably ever deeper into the dreamscape, in a very realistic dangerous situation that comes to a dramatic head. It triggers a desperate struggle between the impulse to awaken and the exhausting urge to flee. For a short moment, it seems as if the wakeful urge has won out, before dream’s powerful spell is again cast, and there’s no escape…
2009-14-030 M REM-scapes
...some moments for Ludwig van... | Thomas Doss | Mitropa Music | Brass Band | Set (Score & Parts)
€ 149,99
Finale from Piano Concerto N°3 Philip Harper has created a fabulous transcription of the energetic third movement of Rachmaninoff’s Piano concerto No. 3 in D minor. This movement is comprised of variations on a theme from the first movement of the concerto. The final notes would become Rachmaninoff’s musical signature. An outstanding and very spectacular title!
DHP 1145600-030 Finale from Piano Concerto N°3
Sergei Rachmaninov | Philip Harper | De Haske Publications | Brass Band | Set (Score & Parts)
€ 89,99
From Ancient Times From Ancient Times is a major work for brass band, inspired largely by the music of the Franco-Flemish School of the Renaissance. Hints of Gregorian chant and middle age dances pay tribute to music from even earlier times. The foundation of this spectacular work rests on truly ‘ancient times’ while the tonal language is of a much more modern nature!
DHP 1094715-130 From Ancient Times
Jan Van der Roost | De Haske Publications | Brass Band | Score Only
€ 56,00
WR004 The Extended 120 Hymns for Brass Band Cornet 2/3
Wright and Round | Brass Band | Part
€ 8,50
As if a Voice Were in Them “As if a voice were in them…” runs William Wordsworth’s poem about the High Alps. Nature is presented in this poem as an all-powerful and nameless force but also as a creative energy and a mirror on man’s soul. It was commissioned by the Swiss Brass Band Association for the 2014 Montreux Swiss Championships. A stunning winning piece for your contests!
BMP14013627 As if a Voice Were in Them
Oliver Waespi | Beriato Music Publishing | Brass Band | Set (Score & Parts)
€ 144,99
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